超越文献属性的「文献之上」
“Transcend the Documentary”, Beyond the Attributes of Literature
以文献的方式超越其文献属性，是当代影像艺术家从文献摄影走向观念摄影的探索之路。「文献之上」以前沿学术的架构、当代批评的视野以及独具慧眼的目光，遴选出了中国大陆当代艺术摄影中的探险者，并配以最佳的设计方案及媒材选取，将「文献之上」一书的业界影响力及史料价值超越了其作为艺术文献的属性。
It is a way by which literature transcends its literature attribute for contemporary image artists to explore from documentary photography to conceptual photography. “Transcend the Documentary” in architecture and contemporary criticism of frontier academic vision and a unique and discerning eye, selected the explorers in the Chinese contemporary art photography, and matches with the best design scheme and the media, the book “Transcend the Documentary” of the influence and historical value beyond the attribute of it as art and literature.
主讲人: 藏策
藏策, 著名艺术理论家及独立策展人，国家级最高个人成就奖获得者，著有《超隐喻与话语流变》《元影像理论与元语言研究》等著作，策展「山水与风景的对话」、「文献之上」等大型影像艺术展。
Zangce, as a famous art theorist and independent curator and the winner of the national Highest Personal Achievement Award he is the author of works such as “Super metaphor and Discourse Evolution”, “Meta-image Theory and Meta-Language Research”, and the curator of ” Dialogue Between the Imagined Landscape and Real Landscape “, ” Transcend the Documentary – Chinese Documentary Photography in Contemporary Context ” and other large-scale image art exhibitions.
